For Madonna, pop music is the canvas of her greatest aspiration. While some critics might be ready to write her off, BEDTIME STORIES reasserts Madonna’s claim to the R&B/dance floor turf she ceded to others as her own productions became elaborately self-conscious. And where performers like R. Kelly filled the breach with risque, sexually explicit fare, BEDTIME STORIES marks Madonna’s return to a more stylized, elegant form of R&B....
After a stylistic detour with 2007’s DESTINATION MOON, on which Deborah Cox paid tribute to jazz and classic-pop vocal legend Dinah Washington, the Canadian chanteuse returns to her natural R&B milieu on THE PROMISE. Working with a selection of top-tier collaborators (John Legend, Jimmy Jam & Terry Lewis), Cox delivers a set of eminently smooth yet impassioned music which alternates between hip-hop-style jams (“Saying Goodbye”) and neo-soul fare (“You Know Where My Heart Is”). On “Did You Ever Love Me,” the singer reveals the benefits of briefly leaving one’s comfort zone, combining modern production with a vocal that recalls Washington’s best torch songs....
After a lengthy gap of nearly five years, Jackson had to pull something out of the bag. BAD was, after all, a difficult act to follow, and the press were trying to prove he was bonkers. This was a pretty decent attempt and fell in with the hard dance beat of the early 90s. “Heal The World” was much like the old melodic Jackson, and it became a major hit. “Black Or White” was the best of the rest, a well-constructed song in which he attempted to repeat “Ebony And Ivory” in the context of 90s dance music....
Christina Aguilera seemed intent on constantly reinventing herself over the course of her first several albums, and it’s hard not to be impressed by her leaps from teen-pop sensation (1999 self-titled debut) to raunchy, sexually precocious R&B singer (2002’s STRIPPED) to blues and jazz-steeped diva on 2006’s BACK TO BASICS. With its smoky torch songs, occasional big-band arrangements, and allusions to seminal divas like Billie Holiday and Etta James, the ambitious double disc casts Aguilera in the soft, romantic light of vintage soul crooners....
Adding pop savvy to their soul-disco mix, Jamiroquai grabbed the attention of MTV and Top 40 radio and won a Grammy with this platinum-selling album, their third. It’s a fine record, with warm keyboards, sweet strings, and irrepressible grooves grounding Jay Kay’s sublime vocals and fueling the hits (“Virtual Insanity,” “Cosmic Girl,” the title track). That voice–elastic, jazzy–is the fire of the band, but immaculate guitar sounds, snappy backup vocals, and clever old-school soul samples (Eddie Harris on “Alright,” Esther Phillips on “High Times”) are the details that create perfection. Balancing the dance-ready, radio-friendly tracks are the ballads “Everyday” and “Spend a Lifetime,” the reggae-styled “Drifting Along,” and a couple of didjeridoo instrumentals....
Hard Candy continues in the driving, club-oriented vein of 2005’s CONFESSIONS ON A DANCE FLOOR, proving that Madonna has lost none of her energy and verve with age. In terms of material, in fact, HARD CANDY bests its predecessor, and the artist continues to make herself relevant in the 2000s by adding distinctly hip-hop grooves to her increasingly electronica-driven sound. Remarkably, the result never sounds like a blatant commercial appeal. As with nearly everything she’s done, this groove-heavy disc is distinctly Madonna’s own.
The Material Girl sculpted her sound this time out by hiring some of the hottest producers on the scene, including Timbaland, Justin Timberlake, and Pharrell and the Neptunes. Cuts like the lead-off single, “4 minutes” (a duet with Timberlake), and the thumping, sexy title track sparkle with a contemporary club feel, begging listeners to turn it up and shake it. Yet Madonna’s classic pop sensibilities are far from lost in the mix. “Beat Goes On” recalls vintage singles like “Holiday”; “Heartbeat” is sleek, singalong Europop; and “Miles Away” is a love song that rides a sweet midtempo groove. Fun, danceable, and infectious, HARD CANDY is another winner from one of pop’s all-time icons.Rolling Stone (p.80) – 4 stars out of 5 — “A songwriting team of American chart royalty helps Madonna revisit her roots as an urban-disco queen….Like CONFESSIONS, HARD CANDY celebrates dance as salvation, but even the euphorically groovy ‘Heartbeat’ and ‘Dance 2night’ strike wistful notes.”...
Kesha Rose Sebert (pronounced /kɛʃə/; born March 1, 1987), known by the stylized stage name/mononym Ke$ha, is an American singer–songwriter. Although she began her music career in 2006, her breakthrough only came in early 2009 after appearing on Flo Rida’s number one single, “Right Round.” Sebert’s debut single, “TiK ToK,” was later released in October, preceding the release of her debut album, Animal, which was released on January 5, 2010....
Soha
Jason Mraz
Usher
Brenda Boykin
